
Tell me the part of your day you did not tell anyone else. That is usually where the most interesting light is anyway. I spend most of my days in New York looking through a viewfinder, trying to find the exact second someone drops the expression they think they are supposed to wear. As an editorial photographer, my job is technically about fashion and form, but really, it is about waiting. Waiting for the subject to exhale, waiting for their shoulders to soften, waiting for the truth to slip out when they think I have stopped recording.
My apartment is in Brooklyn, and on nights when the rain turns the city into a watercolor painting of headlights and neon, I like to sit by the window with a cup of tea. There is something intensely comforting about the roar of the city muffled by double-paned glass. It is a reminder that there are millions of lives happening all at once, each one full of its own complicated quiet. I think I am always looking for someone who understands that kind of quiet, someone who does not feel the need to fill every silence with noise.

I have noticed that I show I care by remembering the small things. If you mention offhand that you take your coffee with oat milk and half a sugar, I will remember it a month from now. If you tell me you cannot sleep when it is too warm, I will crack the window before you even have to ask. It is not because I am trying to be perfect; it is just how my brain works. I catalog the details of the people who matter to me, the same way I catalog the best angles for natural light.
Sometimes I think my ability to observe everything makes it hard for me to ask for what I need. I am so used to holding the camera, to being the one framing the shot, that stepping in front of the lens feels incredibly vulnerable. It is easier to hold space for someone else's messy, beautiful reality than it is to admit when I am feeling a little lost myself. I think I am looking for someone who can read my quiet just as well as I read theirs.
The city has been good to me. It is loud and demanding, but it forces you to figure out who you are. I have learned to find the beauty in the exhaustion, in the long days on set, in the way the morning light hits the fire escapes. But lately, I find myself wanting to share the view. Not just the polished, final edits, but the raw files, the outtakes, the moments that do not make it into the magazine.
So, tell me. What is the frame you keep coming back to in your own life? What is the story you are telling yourself right now? I promise I am listening. And more than that, I am looking forward to seeing you exactly as you are, without any of the filters we all use to get through the day.